The summer in the courtyard continues with the return of our Garden Party. This time, we welcome back an old favourite MARCEL DETTMANN, a dear old friend who has created some of the most memorable music experiences in both the courtyard and the basement.
For those who have experienced it – you know what you’re in for. For the new generation, this is your chance to make your own Garden Party memories. So grab your mates, grab a $10 Olmeca Altos frozen marg, and let’s get the new year started right.
Marcel Dettmann [DE]
Support From
Hosted By Undisclosed DJs|
Trinity |
DJ and producer Marcel Dettmann is recognized as one of the most influential proponents of contemporary techno. Widely associated with iconic places – Berlin, Berghain, and Hard Wax – Dettmann stays true to his roots by consistently innovating his interpretation of electronic music, integrating art with the scene. Active since the mid-90s, Dettmann quests tirelessly for new ways and inspiration to further develop his own concept of electronic music. His labels MDR (Marcel Dettmann Records) and Bad Manners serve as a platform upon which to shape his musical vision, and through its releases launch new talent onto the techno scene. As a curator and producer, Dettmann fosters the call to create in a way that is equally timeless and innovative. His own releases comprise three albums on Ostgut Ton and, most recently, his first album in ten years, Fear of Programming, via Dekmantel Records.
Outside of the club context, Marcel Dettmann has established himself as a multi-faceted artist. He designed the sound concept for New Works, an exhibition of photographer Frederike von Rauch, and contributed to the contemporary dance project Masse – together with Frank Wiedemann and choreographer Nadja Saidakowa in cooperation with Berghain and the Berlin State Ballet. His single “Seduction feat. Emika” provided the soundtrack to director and screenwriter Parker Ellerman’s short film of the same name. He has also contributed to the soundtrack of The Matrix Resurrections by Lana Wachowski in 2021.