Defining Autonomy in Indonesian Art: The Role of S. Sudjojono

Synopsis

S. Sudjojono (1913-1980) is one of the most influential figures in modern Indonesian art, apart from Raden Saleh. However, Sudjojono holds a unique position due to his pivotal role in shaping national consciousness within this artistic movement. He believed that this consciousness could be fostered not just through painting but also by organizing movements, writing, and mentoring young artists. Rooted in modern ideas that valued freedom, humanity, and creativity, Sudjojono’s vision for national consciousness began to take shape in the early 20th century. He critically opposed the dominant art style of the Dutch East Indies, which he saw as stagnant and supportive of colonial society.

Speaker's Profile

Chabib Duta Hapsoro is a Ph.D candidate at the Department of Malay Studies, National University of Singapore. He received his MA from the Faculty of Art and Design, Bandung Institute of Technology (2014). He is a member of The Art Schools of Asia cohort organized by the Asia Art Archive (2021-2022). Chabib’s research interest usually deals with the social production and dissemination of art in Indonesia, deliberating the role of ideologies, elites, dominant class, markets and rulers. Chabib published a book entitled Alam Terkembang Hilang Berganti (KPG, 2020), comprising his writings on art. He also co-edited a book series, Pusaka Seni Rupa II: Seni Patung Indonesia Modern, (Directorate General of Culture, Ministry of Education and Culture, Indonesia, 2020). His writings have been published by Tempo Magazine, Art Asia Pacific Magazine, Wacana Journal of Humanities of Indonesia, Artlink, among others.